A Partnership between Our Senses: Royal Ballet Joins alongside Visually Impaired Creator for Innovative New Performance

This prestigious ballet company traditionally provided headphones with spoken commentary so that blind patrons could track the performance on stage. Currently, via a innovative performance, the whole gathering will experience such narration within a production that explores how visual impairment can reshape our responses to sensation, music and narrative.

Blind Creator Works with Renowned Dance Creators

Devon Healey, a visually impaired creator, is partnering with Sir Wayne McGregor, among other dance creators, and composer Max Richter in producing a recent Royal Ballet commission that will debut on November 12th, International Ballet Day, as declared on Thursday.

In her art, the artist is motivated by a ambition to demonstrate how blindness and disability can provide an different type of perception for each individual. Her “immersive descriptive audio”, woven with the music, creates the heart of the show on stage.

"Making world-class ballet and musical theater for each person" is a motto of the the organization. Under Kevin O’Hare, the Royal Ballet's leader, the troupe is concentrating on "total access – welcoming artists and viewers to encounter ballet in life-changing innovative methods," he said.

Various Choreographers Collaborate on Fresh Work

The fresh production is being created by choreographer Tiler Peck, Bim Malcomson, and Rebecca Myles Stewart, alongside Wayne McGregor, every one partnering with the blind artist.

Robert Binet, the curator of this commission, commented: "World Ballet Day was created on the principle of access. After a decade, we're extending that concept deeper to explore how disabled viewpoints can influence our art form, and invite patrons of every capability and histories to experience dance in new ways."

Following partnerships with Healey in Canadian venues and Australia, he recognized that individuals who can see who had experienced the artist's spoken descriptions found it assisted them understand ballet, which can seem so complex.

Touching Collaboration Between Expert and Non-Professional Dancers

In a particular dance piece, the Royal Ballet performer Leo Dixon will dance with Takashi Kikuchi, an amateur dancer who has been blind since birth and who had previously believed that dance was "primarily for those who can see". But the dancer has realized that it truly "includes a lot of emotion and feelings" and taps into senses, "visual and non-sight".

The dancer's individual experience of earlier becoming disoriented on his way home and using the sunlight to orient his way back had motivated a dance piece in which Dixon embodies the "warm breath of the sun around his partner as they perform as one," Malcomson said.

"This occurred during the day and I had a feeling that the sunlight should be shining from the western sky. So, if I turned toward the sunlight, even though I couldn't see the rays itself, I could perceive the heat … So I continued moving to the western direction …. It guided me home. The sunshine was a good helper to me. The sunlight could be a powerful symbol. So the story emerged from there."

Visual Impairment Provides Unique Relationship with Dance

The blind artist, an academic of disability research at the University of Toronto, commented: "Blindness and being blind invites a dynamic connection with motion in a way that is similar to a expert performer's bond with their physical self and motion."

In partnering with the dancers, the artist was striving to express what "they perceive in their body, something that’s just not available through sight," she said. "I converse with the performers to get a feeling of how they’re feeling in their physical self, where their breathing is, what they’re thinking, how their muscles are experiencing.

"Working together with the dance creators [and] attire, illumination, stage design and audio designers, the perceptions and innovation of blindness are ever present as we, visually impaired and sighted individuals, develop a relationship through our love of dance and performance. It is this innovation and affection that I try to weave into the immersive descriptive audio. It is a collaboration of the perceptions directed by visual impairment."

The artist continued: "Even though the view of the ballet, the stunning spectacle, is available in front of the viewers, there is much that they miss or understanding, and it is blindness that is welcoming sighted and blind viewers equally into the hidden. What I desire is that, when patrons leave, they sense ballet in a new way, and they’re also experiencing the existence, and listening to the understandings of, visual impairment in fresh and active ways."

Composer Max Richter on Audio Narration

Richter, whose recordings have accumulated more than 3.5bn online plays, said the spoken narration created a relationship between visual impairment and vision "through a audio environment, offering narration to that which is not always visible". He continued: "This isn't simply a description of a performance. It is performance."

World Dance Event Collaborators

The Royal Ballet’s global partners for World Ballet Day include the Canadian ballet company and the Australian Ballet. The companies will additionally supply access to behind-the-scenes video, practice sessions and freshly produced pieces – broadcast as it happens via online channels.

Carolyn Berry
Carolyn Berry

Elara is an award-winning journalist with over a decade of experience covering international affairs and investigative reporting.